This started out as me recording my some of my whistling and then i pitched it down and added some reverb. Credit would be appreciated but it is not needed.
Based upon my "single gunshot. Wav" sfx, this experiments a bit with the effects of stereo audio. I made the sound quite punchy also. Created with audacity. Use however you see fit.
I took my snare drum into the wonderfully echoey parking garage of my building to record the reverb. Included are samples recorded from varying distances and positions. Also included are dry versions, recorded in a living room and a super-dry elevator. When used in a production, try mixing in the heavily reverbed snares against the dry ones to fit your taste. Also the reverb snares work well mixed under even unrelated percussions to add a neat ambiance. The same goes for my "stairwell foot stomps" sample set. Recorded 24-bit stereo with a sony pcm-d50. Assisted by matt mcgowin.
This sound was meant to represent lots of blips on the screen. But it sounded too "sciency" so it was unused. This sample is public domain, ignore the cc license.
An impulse response made and edited in audacity. I was originally trying to make an outdoor ir, but it ended up sounding like a cave or tunnel. If you're interested, you may want to check out my impulse response pack for more ir's. Thank you!.
A chord progression in c minor made on lmms, played on bells put through phasing and delay. If you make music using this, please leave a link under this post.
This is from my roland td7 electronic kit set on the reverb patch and i just played whatever came into my head. Use it as you like but please comment on what you will use it for. Thanks. :^).
Hitting with my hand a huge wind tunnel for industrial fan testing. I've used it a couple of times, but can't think of any concrete situation it can be used for. Mono recorded with sennheiser 416, tascam hd-p2. No need to attribution, use it freely.
